This page follows a more blog-like format where I can give context, explain my thoughts, and add commentary.
“Studios Outside”
OCTOBER 2025
I participated in a show curated by my fellow graduate students, Quincy Unseth and Estefania Farias, Studios Outside, during my time at CSUN. The aim was to highlight the graduate students who lacked a studio space on campus, and how our practices have had to adapt.
I created this piece, titled No, sorry, they’re not for sale. I’m building them up to give away.
As part of my practice, I had been working to build up a large collection of pots to use in interactive performance works. As a consequence, I ended up with lots of these storage bins filled with pottery, and spent a lot of unseen time and effort packing, unpacking, repacking, and transporting literally hundreds of individual pots.
At the time, I had filled about 75% of these bins, and used the extra space to create a display of pots in the top bin.
Display for CSUN Open Studios
MAY 2025
I wanted to use open studios to practice showing my work, and to experiment with giving away work.
The large tables had work set out for display, and people were welcomed to handle the pieces. I put a small pedestal in front of the tables with 6 pieces that viewers could take freely if they wanted to. After the first two were taken I refilled those positions (2 pieces didn’t fit onto the table array).
I overlooked the display until all 8 available pieces were given away. I was reassured that people were pretty eager to get a free pot, as I had a tougher experience giving away pieces to the CSUN faculty during my first review. Some people had trepidations at first, but seems genuinely excited after I reassured them that the pieces were there to be taken.
It was really useful to see those interactions with the viewers, and I’ll definitely expand on that interactive aspect to my work in future exhibitions.
I was a bit peeved by how the didactic text looked, but I’ll improve on that in the future.
Experimenting with plates
MARCH 2025
Since starting at CSU Northridge, I haven’t made many plates. In part that’s because I find them annoying to make, but I also lack the bats or space that I’d like for making plates. So to try and alleviate some of those issues, I’ve gone about a new way of making plates.
The process begins with rolling out a thick slab, roughly 3/8-1/2in thick, and cutting out rough circles of a certain size. These circles are stacked on a slump mold with paper towels seperating them so that the whole stack can be secured to a wheel. Once on the wheel, a coil is added to the top slab and thrown to create a round foot. I made these feet pretty big.
The top plate with foot is quickly blasted with a heat gun so that it can be removed without warping. The center of the plate is carved out with a large trimming loop tool, and the edges are shaved down with a knife and rasp. I chose to cut a large notch into the feet as well. Everything gets a smooth over with a sponge and rubber rib or fingers.
I made my first batch with the brown clay pictured, and it was a bit of a learning process, but the second batch went really well. They’re pretty time and space efficient for me, and I think I like the oprganic shapes. I’ll likely make more but I might make a slump mold I prefer better than the one I used for these batches.
CEZARAMICS 